THE GIRL WHO DRANK THE MOON

Day two of the Tamasha production in March 2026, this time its adapted by a story book “THE GIRL WHO DRANK THE MOON”. I found it boring as I did not understand what the plot was about. No one told me. However I understood the emotions of characters in the production. I acted both extremes of anger and calm. I was also casting magic. I felt I did a good job as I tried my best to project these emotions to the audience instead of just reading the script.

I was also trying to make eye contact with the audience and tried to make eye contact with my co-actors. I tried making eye contact as it makes me look like I'm talking to the audience. Apart from just acting I was trusted with an additional role. Instead of waiting back stage, I was tasked to play the gong as a audio queue to the performing actors in other scenes.

The two characters I player were sister Ignita and The Cronicular and chorus of relief fear and pain. Sister Ignatia was inflicting pain and demands obedience in the scene. The Cronicular was about calmness and chorus. I prepared for my role by trying to act out the emotion of all the characters during rehearsals and my free time. 

 I thought that the way I expressed these emotions were beautiful. I learnt this type of acting is called dramatic reading, in which my voice is the most important to present my characters. The venue was Playden.

THE END